Computational auditory scene analysis : (Record no. 40396)

MARC details
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fixed length control field 14297nam a2201105 i 4500
001 - CONTROL NUMBER
control field 5769523
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control field IEEE
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20230927112352.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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fixed length control field 110621t20152006njua ob ||| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780470043387
Qualifying information electronic
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780471741091
Qualifying information paper
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 0470043385
Qualifying information electronic
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1109/9780470043387
Source of number or code doi
035 ## - SYSTEM CONTROL NUMBER
System control number (CaBNVSL)mat05769523
035 ## - SYSTEM CONTROL NUMBER
System control number (IDAMS)0b0000648154001b
040 ## - CATALOGING SOURCE
Original cataloging agency CaBNVSL
Language of cataloging eng
Description conventions rda
Transcribing agency CaBNVSL
Modifying agency CaBNVSL
245 00 - TITLE STATEMENT
Title Computational auditory scene analysis :
Remainder of title principles, algorithms, and applications /
Statement of responsibility, etc. edited by DeLiang Wang, Guy J. Brown.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Hoboken, New Jersey :
Name of producer, publisher, distributor, manufacturer Wiley interscience : $cc2006
300 ## - PHYSICAL DESCRIPTION
Extent 1 PDF (1 PDF (xxiii, 395 pages)) :
Other physical details illustrations.
336 ## - CONTENT TYPE
Content type term text
Source rdacontent
337 ## - MEDIA TYPE
Media type term electronic
Source isbdmedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Foreword. -- Preface. -- Contributors. -- Acronyms. -- 1. Fundamentals of Computational Auditory Scene Analysis (DeLiang Wang and Guy J. Brown). -- 1.1 Human Auditory Scene Analysis. -- 1.1.1 Structure and Function of the Auditory System. -- 1.1.2 Perceptual Organization of Simple Stimuli. -- 1.1.3 Perceptual Segregation of Speech from Other Sounds. -- 1.1.4 Perceptual Mechanisms. -- 1.2 Computational Auditory Scene Analysis (CASA). -- 1.2.1 What Is CASA? -- 1.2.2 What Is the Goal of CASA? -- 1.2.3 Why CASA? -- 1.3 Basics of CASA Systems. -- 1.3.1 System Architecture. -- 1.3.2 Cochleagram. -- 1.3.3 Correlogram. -- 1.3.4 Cross-Correlogram. -- 1.3.5 Time-Frequency Masks. -- 1.3.6 Resynthesis. -- 1.4 CASA Evaluation. -- 1.4.1 Evaluation Criteria. -- 1.4.2 Corpora. -- 1.5 Other Sound Separation Approaches. -- 1.6 A Brief History of CASA (Prior to 2000). -- 1.6.1 Monaural CASA Systems. -- 1.6.2 Binaural CASA Systems. -- 1.6.3 Neural CASA Models. -- 1.7 Conclusions 36 -- Acknowledgments. -- References. -- 2. Multiple F0 Estimation (Alain de Cheveign A A). -- 2.1 Introduction. -- 2.2 Signal Models. -- 2.3 Single-Voice F0 Estimation. -- 2.3.1 Spectral Approach. -- 2.3.2 Temporal Approach. -- 2.3.3 Spectrotemporal Approach. -- 2.4 Multiple-Voice F0 Estimation. -- 2.4.1 Spectral Approach. -- 2.4.2 Temporal Approach. -- 2.4.3 Spectrotemporal Approach. -- 2.5 Issues. -- 2.5.1 Spectral Resolution. -- 2.5.2 Temporal Resolution. -- 2.5.3 Spectrotemporal Resolution. -- 2.6 Other Sources of Information. -- 2.6.1 Temporal and Spectral Continuity. -- 2.6.2 Instrument Models. -- 2.6.3 Learning-Based Techniques. -- 2.7 Estimating the Number of Sources. -- 2.8 Evaluation. -- 2.9 Application Scenarios. -- 2.10 Conclusion. -- Acknowledgments. -- References. -- 3. Feature-Based Speech Segregation (DeLiang Wang). -- 3.1 Introduction. -- 3.2 Feature Extraction. -- 3.2.1 Pitch Detection. -- 3.2.2 Onset and Offset Detection. -- 3.2.3 Amplitude Modulation Extraction. -- 3.2.4 Frequency Modulation Detection.
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Formatted contents note 3.3 Auditory Segmentation. -- 3.3.1 What Is the Goal of Auditory Segmentation? -- 3.3.2 Segmentation Based on Cross-Channel Correlation and Temporal Continuity. -- 3.3.3 Segmentation Based on Onset and Offset Analysis. -- 3.4 Simultaneous Grouping. -- 3.4.1 Voiced Speech Segregation. -- 3.4.2 Unvoiced Speech Segregation. -- 3.5 Sequential Grouping. -- 3.5.1 Spectrum-Based Sequential Grouping. -- 3.5.2 Pitch-Based Sequential Grouping. -- 3.5.3 Model-Based Sequential Grouping. -- 3.6 Discussion. -- Acknowledgments. -- References. -- 4. Model-Based Scene Analysis (Daniel P. W. Ellis). -- 4.1 Introduction. -- 4.2 Source Separation as Inference. -- 4.3 Hidden Markov Models. -- 4.4 Aspects of Model-Based Systems. -- 4.4.1 Constraints: Types and Representations. -- 4.4.2 Fitting Models. -- 4.4.3 Generating Output. -- 4.5 Discussion. -- 4.5.1 Unknown Interference. -- 4.5.2 Ambiguity and Adaptation. -- 4.5.3 Relations to Other Separation Approaches. -- 4.6 Conclusions. -- References. -- 5. Binaural Sound Localization (Richard M. Stern, Guy J. Brown, and DeLiang Wang). -- 5.1 Introduction. -- 5.2 Physical and Physiological Mechanisms Underlying Auditory Localization. -- 5.2.1 Physical Cues. -- 5.2.2 Physiological Estimation of ITD and IID. -- 5.3 Spatial Perception of Single Sources. -- 5.3.1 Sensitivity to Differences in Interaural Time and Intensity. -- 5.3.2 Lateralization of Single Sources. -- 5.3.3 Localization of Single Sources. -- 5.3.4 The Precedence Effect. -- 5.4 Spatial Perception of Multiple Sources. -- 5.4.1 Localization of Multiple Sources. -- 5.4.2 Binaural Signal Detection. -- 5.5 Models of Binaural Perception. -- 5.5.1 Classical Models of Binaural Hearing. -- 5.5.2 Cross-Correlation-Based Models of Binaural Interaction. -- 5.5.3 Some Extensions to Cross-Correlation-Based Binaural Models. -- 5.6 Multisource Sound Localization. -- 5.6.1 Estimating Source Azimuth from Interaural Cross-Correlation. -- 5.6.2 Methods for Resolving Azimuth Ambiguity. -- 5.6.3 Localization of Moving Sources.
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Formatted contents note 5.7 General Discussion. -- Acknowledgments. -- References. -- 6. Localization-Based Grouping (Albert S. Feng and Douglas L. Jones). -- 6.1 Introduction. -- 6.2 Classical Beamforming Techniques. -- 6.2.1 Fixed Beamforming Techniques. -- 6.2.2 Adaptive Beamforming Techniques. -- 6.2.3 Independent Component Analysis Techniques. -- 6.2.4 Other Localization-Based Techniques. -- 6.3 Location-Based Grouping Using Interaural Time Difference Cue. -- 6.4 Location-Based Grouping Using Interaural Intensity Difference Cue. -- 6.5 Location-Based Grouping Using Multiple Binaural Cues. -- 6.6 Discussion and Conclusions. -- Acknowledgments. -- References. -- 7. Reverberation (Guy J. Brown and Kalle J. Palom A ki). -- 7.1 Introduction. -- 7.2 Effects of Reverberation on Listeners. -- 7.2.1 Speech Perception. -- 7.2.2 Sound Localization. -- 7.2.3 Source Separation and Signal Detection. -- 7.2.4 Distance Perception. -- 7.2.5 Auditory Spatial Impression. -- 7.3 Effects of Reverberation on Machines. -- 7.4 Mechanisms Underlying Robustness to Reverberation in Human Listeners. -- 7.4.1 The Role of Slow Temporal Modulations in Speech Perception. -- 7.4.2 The Binaural Advantage. -- 7.4.3 The Precedence Effect. -- 7.4.4 Perceptual Compensation for Spectral Envelope Distortion. -- 7.5 Reverberation-Robust Acoustic Processing. -- 7.5.1 Dereverberation. -- 7.5.2 Reverberation-Robust Acoustic Features. -- 7.5.3 Reverberation Masking. -- 7.6 CASA and Reverberation. -- 7.6.1 Systems Based on Directional Filtering. -- 7.6.2 CASA for Robust ASR in Reverberant Conditions. -- 7.6.3 Systems that Use Multiple Cues. -- 7.7 Discussion and Conclusions. -- Acknowledgments. -- References. -- 8. Analysis of Musical Audio Signals (Masataka Goto). -- 8.1 Introduction. -- 8.2 Music Scene Description. -- 8.2.1 Music Scene Descriptions. -- 8.2.2 Difficulties Associated with Musical Audio Signals. -- 8.3 Estimating Melody and Bass Lines. -- 8.3.1 PreFEst-front-end: Forming the Observed Probability Density Functions.
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Formatted contents note 8.3.2 PreFEst-core: Estimating the F0's Probability Density Function. -- 8.3.3 PreFEst-back-end: Sequential F0 Tracking by Multiple-Agent Architecture. -- 8.3.4 Other Methods. -- 8.4 Estimating Beat Structure. -- 8.4.1 Estimating Period and Phase. -- 8.4.2 Dealing with Ambiguity. -- 8.4.3 Using Musical Knowledge. -- 8.5 Estimating Chorus Sections and Repeated Sections. -- 8.5.1 Extracting Acoustic Features and Calculating Their Similarity. -- 8.5.2 Finding Repeated Sections. -- 8.5.3 Grouping Repeated Sections. -- 8.5.4 Detecting Modulated Repetition. -- 8.5.5 Selecting Chorus Sections. -- 8.5.6 Other Methods. -- 8.6 Discussion and Conclusions. -- 8.6.1 Importance. -- 8.6.2 Evaluation Issues. -- 8.6.3 Future Directions. -- References. -- 9. Robust Automatic Speech Recognition (Jon Barker). -- 9.1 Introduction. -- 9.2 ASA and Speech Perception in Humans. -- 9.2.1 Speech Perception and Simultaneous Grouping. -- 9.2.2 Speech Perception and Sequential Grouping. -- 9.2.3 Speech Schemes. -- 9.2.4 Challenges to the ASA Account of Speech Perception. -- 9.2.5 Interim Summary. -- 9.3 Speech Recognition by Machine. -- 9.3.1 The Statistical Basis of ASR. -- 9.3.2 Traditional Approaches to Robust ASR. -- 9.3.3 CASA-Driven Approaches to ASR. -- 9.4 Primitive CASA and ASR. -- 9.4.1 Speech and Time-Frequency Masking. -- 9.4.2 The Missing-Data Approach to ASR. -- 9.4.3 Marginalization-Based Missing-Data ASR Systems. -- 9.4.4 Imputation-Based Missing-Data Solutions. -- 9.4.5 Estimating the Missing-Data Mask. -- 9.4.6 Difficulties with the Missing-Data Approach. -- 9.5 Model-Based CASA and ASR. -- 9.5.1 The Speech Fragment Decoding Framework. -- 9.5.2 Coupling Source Segregation and Recognition. -- 9.6 Discussion and Conclusions. -- 9.7 Concluding Remarks. -- References. -- 10. Neural and Perceptual Modeling (Guy J. Brown and DeLiang Wang). -- 10.1 Introduction. -- 10.2 The Neural Basis of Auditory Grouping. -- 10.2.1 Theoretical Solutions to the Binding Problem. -- 10.2.2 Empirical Results on Binding and ASA.
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Formatted contents note 10.3 Models of Individual Neurons. -- 10.3.1 Relaxation Oscillators. -- 10.3.2 Spike Oscillators. -- 10.3.3 A Model of a Specific Auditory Neuron. -- 10.4 Models of Specific Perceptual Phenomena. -- 10.4.1 Perceptual Streaming of Tone Sequences. -- 10.4.2 Perceptual Segregation of Concurrent Vowels with Different F0s. -- 10.5 The Oscillatory Correlation Framework for CASA. -- 10.5.1 Speech Segregation Based on Oscillatory Correlation. -- 10.6 Schema-Driven Grouping. -- 10.7 Discussion. -- 10.7.1 Temporal or Spatial Coding of Auditory Grouping. -- 10.7.2 Physiological Support for Neural Time Delays. -- 10.7.3 Convergence of Psychological, Physiological, and Computational Approaches. -- 10.7.4 Neural Models as a Framework for CASA. -- 10.7.5 The Role of Attention. -- 10.7.6 Schema-Based Organization. -- Acknowledgments. -- References. -- Index.
506 1# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Restricted to subscribers or individual electronic text purchasers.
520 ## - SUMMARY, ETC.
Summary, etc. How can we engineer systems capable of "cocktail party" listening?Human listeners are able to perceptually segregate one sound source from an acoustic mixture, such as a single voice from a mixture of other voices and music at a busy cocktail party. How can we engineer "machine listening" systems that achieve this perceptual feat?Albert Bregman's book Auditory Scene Analysis, published in 1990, drew an analogy between the perception of auditory scenes and visual scenes, and described a coherent framework for understanding the perceptual organization of sound. His account has stimulated much interest in computational studies of hearing. Such studies are motivated in part by the demand for practical sound separation systems, which have many applications including noise-robust automatic speech recognition, hearing prostheses, and automatic music transcription. This emerging field has become known as computational auditory scene analysis (CASA).Computational Auditory Scene Analysis: Principles, Algorithms, and Applications provides a comprehensive and coherent account of the state of the art in CASA, in terms of the underlying principles, the algorithms and system architectures that are employed, and the potential applications of this exciting new technology. With a Foreword by Bregman, its chapters are written by leading researchers and cover a wide range of topics including:. Estimation of multiple fundamental frequencies. Feature-based and model-based approaches to CASA. Sound separation based on spatial location. Processing for reverberant environments. Segregation of speech and musical signals. Automatic speech recognition in noisy environments. Neural and perceptual modeling of auditory organizationThe text is written at a level that will be accessible to graduate students and researchers from related science and engineering disciplines. The extensive bibliography accompanying each chapter will also make this book a valuable reference source. A web site accompanying the text (www.casabook.org) features software tools and sound demonstrations.
533 ## - REPRODUCTION NOTE
Type of reproduction Reproduction en format �electronique.
538 ## - SYSTEM DETAILS NOTE
System details note Mode of access: World Wide Web.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on PDF viewed 12/18/2015.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Perception auditive.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Perception auditive
General subdivision Simulation par ordinateur.
655 #0 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
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-- Acoustics
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-- Array signal processing
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-- Arrays
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-- Auditory displays
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-- Auditory system
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-- Biographies
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-- Biological system modeling
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-- Computational modeling
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-- Delay
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-- Delay effects
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-- Ear
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-- Encoding
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-- Equations
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-- Estimation
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-- Feature extraction
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-- Frequency measurement
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-- Frequency modulation
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-- Harmonic analysis
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-- Hidden Markov models
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-- Histograms
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-- Humans
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-- Image analysis
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-- Indexes
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-- Instruments
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-- Interference
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-- Linear systems
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-- Mathematical model
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-- Microphones
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-- Multiple signal classification
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-- Music
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-- Neurons
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-- Noise
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-- Noise measurement
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-- Oscillators
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-- Power harmonic filters
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-- Psychoacoustic models
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-- Reflection
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-- Resonant frequency
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-- Reverberation
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-- Robustness
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-- Sections
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-- Sensors
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-- Silicon
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-- Source separation
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-- Speech
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-- Speech recognition
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-- Terminology
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Brown, Guy J.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Wang, DeLiang,
Dates associated with a name 1963-
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element IEEE Xplore (Online Service),
Relator term distributor.
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Wiley,
Relator term publisher.
730 0# - ADDED ENTRY--UNIFORM TITLE
Uniform title IEEE Xplore (Livres)
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
International Standard Book Number 9780471741091
856 ## - ELECTRONIC LOCATION AND ACCESS
Materials specified Abstract with links to resource
Uniform Resource Identifier <a href="https://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=5769523">https://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=5769523</a>

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